Kabusha Radio Remix: Your Questions Answered by Pioneering Zambian Talk Show Host David Yumba (1923-1990): an ethnographic installation by Debra Spitulnik Vidali and Kwame Phillips.
More info at https://scholarblogs.emory.edu/bemba/kabusha-radio-remix/
“Collisions of Memory, Voice, Sound, and Physicality though a Multi-sensorial Radio Remix Installation.” Seismograf. Special issue: Sound Art Matters.
“Ethnographic Installation and 'the Archive': Re/Dislocation, Reverberation, and Aspiration.” Visual Anthropology Review for special issue “Bodies of Archives/Archival Bodies.”
This is an excerpt from “The Imagined Things: On Solange, Repetition and Mantra,” a visual mixtape that explores how repetition in Solange Knowles’ music attempts to mimic the meditative impact of mantras.
This is an excerpt from Lovers Rock Dub: An Experiment in Visual Reverberation, an audio-visual dub remix of Steve McQueen’s Lovers Rock, exploring the lingering and tugging resonances, echoes, hauntings, associations and traces of diasporic memory.
This is a short except from the intended video portion of the “I AM GOD” project, sampled here with Steve Reich’s “Come Out.” The more severe examples of brutality are not shown, but there is a content warning for images and sounds of violence. More information about the project can be found HERE.
Biography
Kwame Phillips is Senior Lecturer in Media Practices at the Winchester School of Art, University of Southampton, England, specialising in sensory media production, visual anthropology and audio culture. Phillips’ work focuses on resilience, race and social justice using multimodal and experimental methodologies.