This video essay on Bushman (1971), leans into the film's experimentation in the liminal space between documentary and cinéma verité. This was done by remixing, recutting and reassembling its dialogue and footage to create a piece that accentuates the film’s discussion of othering and belonging. With the film still being resonant more than 50 years after its release, I tried to channel the poetic and ironic character of the film to speak to today’s ‘strangers in strange lands.'